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DIALECTIC OF IDENTITY: PASKVALIĆ'S GUIDE TO FOUR POEMS DEDICATED TO SERENISSIMA
Ane Ferri
Mimesis Journal, 2024
This paper comprehensively explores the national-literacy identity of the Renaissance poet Ludovik Paskvalić, through a study of four of his poems, in which the poet's close relationship with the Republic of Venice is reflected. Despite the note about his identity that the poet himself left on the cover of his printed Italian songbook entitled Rime volgari, the scientific and professional public often placed Paskvalić in different, often inaccurate, identity frameworks. The reasons for the poet's inclusion in the corpus of Italian or Venetian Renaissance poets can be found in Paskvalić's prominent Italianist activity, in his linguistic virtuosity in the Italian language, which was not his native language, as well as in the fact that until today the scientific public has not managed to find Paskvalić's literary legacy in his mother tongue. Thus, the Renaissance poet from the Bay of Kotor first found his place in Italian and world anthologies, and many years later in scientific studies from this side of the Adriatic Sea. Wrong premises regarding the poet's national identity often had a negative impact on the analysis of his verses. The aim of this paper is to use the example of four of Paskvalić's poems dedicated to the Republic of St. Marco from his collection in the Italian language, the occasions and contexts in which the poems were written are analyzed to shed light on the poet's identity through the explanation of his attitude of full respect and admiration towards Serenissima. The method is of a comparative, research and literary-historical character, based on combinatorial research about the author, through the analysis of four of his poems dedicated to the capital of the Republic of Venice. In this way, for the first time, attention would be paid to the analysis of the opening and closing songs of the second part of the Italian songbook, completely excluded from the significantly larger number of other songs from the same collection that have been analyzed in detail so far according to their stylistic and typological characteristics. Our research strongly supports the claim that the writer's national identity should be based on an understanding of the wider context of the time and space in which he created, as well as his own determination, which can be read from his work, but also from other testimonies.
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Abstract of Dissertation Presented for Award of the Academic Degree of the Doctor of Philology (Ph.D
mzisa buskivadze
FEMINIZM IN TURKEY AND THE ISSUES OF TURKISH WOMEN WRITERS/ PINAR KÜR AND DUYGU ASENA CONCEPTUAL ISSUES OF ART/
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Izayoi nikki. The History of a Disputed Heritage in the Kamakura Period (1185-1333)
Carolina Negri
Annali di Ca’ Foscari. Serie Orientale, vol. 56, 2020
This paper aims to cast fresh new light upon Izayoi nikki (The Diary of the Sixteenth Night Moon, c. 1280), the most representative work of Nun Abutsu. After considering why it has long been undervalued by Japanese scholars, this study takes a close look at the long and complicated legal dispute described in the diary. In this legal dispute, Nun Abutsu played a central role as loyal mother and widowed nun in struggling to ensure a future for her children, the natural descendants of a famous dynasty of poets. To fully understand the strength of the reasons behind her actions, it would seem to be of fundamental importance to read Izayoi nikki from a different perspective, taking into account not only the personal story of the author but also the socio-historical framework of the Kamakura period, focusing in particular on inheritance practices and the kinds of responsibilities women were expected to bear in relation to the family.
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“Kuzgun”: İskandi̇nav Mi̇toloji̇si̇ne Doğru Bi̇r Yolculuk
timucin edman
Turkish Studies - Language and Literature, 2019
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Les Écrivaines contemporaines et les mythes. Le remembrement au féminin by Metka Zupančič
Metka Zupancic
Women in French Studies, 2014
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Anania Shirakatsi and the Historical Realities of the 7th Century
Nazenie Garibian
Orientalia Christiana Periodica, 2020
Anania Shirakac'i, philosopher and mathematician of the 7th century, is a unique, outstanding and isolated figure in the entirety of Armenian culture, whose life, activity and legacy still remain partially unexplored, providing a rich ground for further academic research. His life spanned a large part of the 7th century, a period that is regarded as one of the most eventful, upsetting and dynamic stages in the history of the Middle East and Eastern Christian world. To better analyze and then correctly assess the academic activity and the written legacy of Anania Shirakac'i, it is necessary to present them in the large context of that period, pointing out in particular the impact of the relationship — obvious or discrete — between Byzantine and Armenian realities.
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Deconstructing Shirabyoshi–Female dancers of the Heian period as a Mirror of Today
Ami Skånberg
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Recenzie de Silviu Gongonea, în „Revista de Etnografie și Folclor / Journal of Ethnography and Folklore”, nr. 1-2/2017, pp. 183-186.pdf
Cristina Bogdan
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Again About Skaryna in Padua: New Possibilities of Reading the Old Documents. In Three Parts: Time and Context; Circumstances; Attendees. //Belarusian Review. – Winter 2014, vol. 26, No. 4. P. 17-23; Spring 2015, vol. 27, No 1. P. 23 -28; Summer 2015, vol. 27, No. 2. P. 21-28.
Olga Shutova
This article once again turns our attention toward the documents of Skaryna’s doctoral defence in Padua. The author’s ‘in-depth’ reading of these famous documents helps to fill certain lacunas in Skaryna’s biography, for example, the exact time of Skaryna’s exams. Also, reading Skaryna’s doctoral documents together with the other acts of doctoral defences of the same period, the article inscribes Skaryna’s case into the context of the academic life in university medical studies of Renaissance Europe. The author argues that Skaryna’s case took place within the ordinary bureaucratic procedure: as for all students, his examination consisted from three stages (Gratia, Tentativum, Privatum), while Privatum as well as Gratia were not specifically attributed for Skaryna as the most researchers state. Nevetheless, the study of other nuances (costs of degrees, new details on audience, medical and philosophical contexts of examinations), permits to discover the very singularity of Skaryna’s case from the different perspectives. Certainly, Scaryna’s stay in Padua was a milestone both for his career of doctor and for his desire to become a printer. The study of Skaryna’s audience shows that at least three of them (from thirty-three persons) were quite likely (and in case of famous scribe Bartolomeo Sanvito, certainly) involved into the book printing activities. Futher research reveals that simply mentioned in previous Skaryniana, certain reverendus dominus Bartholomeus de S. Vito – was in fact Bartolomeo Sanvito, famous Paduan Renaissance scribe, one of the creators of Italic script, illuminator and antiquary, linked with many Italian humanists, with the illustrious printer and publisher Aldo Manuzio among them. Such ‘materialization’ of Skaryna’s audience could help to better understanding Skaryna’s connections in the world of Renaissance culture and his reasons for becoming printing pioneer for his country.
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Some Remarks on the Larsa Court Poetry and Related Matters, Orientalistische Literaturzeitung 108/6 (2013): pp. 359-365.
Luděk Vacín
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